I create layered collage works that examine how femininity is constructed through architecture, material culture, and systems of display. Using hand-cut imagery often layered with resin on wood panels, my work draws on the visual language of still life and ornament while embedding fragments of consumer culture, religious iconography, architectural structures, domestic space, and the body.

Informed by my background in architecture, I approach collage as spatial assembly, building images that function as thresholds, vitrines, and compressed environments. The work slows the act of looking and considers how desire and objectification is staged, how gendered identities are rehearsed, and how beauty circulates as both invitation and constraint.